Featured curator: Justin Ruckman
Kota Hiratsuka draws from both the traditions of Japanese origami and the modern techniques of computer modeling to create these 3D origami mosaics. Some of them are modeled in paper, others in pixels. All of them can be found on his website: Origami Mosaics, and his Tumblr.
Winner of this year’s Pritzker Prize, the most prestigious award in modernist architecture, Japanese architect Shigeru Ban has forged a career based on his revolutionary yet restrained use of humble materials. Ban is perhaps most famous for his innovative work with paper, particularly recycled cardboard tubes. He has noted that he is attracted to paper because it is cheap, recyclable, low-tech, replaceable, and produces very little waste. Indeed, his DIY refugee shelters (used in Japan after the Kobe earthquake, in Turkey, Rwanda and around the world) composed of recycled cardboard tubes are very popular and effective for low-cost disaster relief-housing. Even the structures Ban has designed for prestigious cultural and institutional clients are built with low-cost, sustainable materials and are often meant to be recycled. Ban’s Japanese pavilion building at Expo 2000 in Hannover, Germany, a 72-metre-long gridshell made with paper tubes, for example, was ultimately recycled and returned to paper pulp. His structures do not announce themselves with the typical hallmarks of sustainability; rather, they seem to quietly embody it. This design approach, which dignifies and normalizes ecological mindfulness, appears especially innovative at a time when environmental issues are still “othered.”
Complement with 5½ excellent commencement addresses on defining your own success.(via explore-blog)